Date: Thu, 07 Feb 2002 01:27:05 -0800 From: Gordon Ranney Subject: g/genesis/musical_box.tab THE MUSICAL BOX (from the Live album - 1973) words and music by Genesis This tuning is from a Guitar Player interview with Mike Rutherford. The part is taken from the Genesis Live album. Here's the tuning: up to F# down to F# down to F# D A E INTRO |-------0-------0-|------0--------0-|-------0-------0-|-------0-------0-| |---0-------0-----|---0-------0-----|---0-------0-----|---0--------0----| |-----7-------7---|-----7-------7---|-----7-------7---|-----7-----------| |---------9-------|-9-------9-------|---------9-------|----------9------| |-9---------------|-----------------|-9---------------|-9------------9--| |-----------------|-----------------|-----------------|-----------------| VERSE She's a lady, she's got time oh |-------0-------0-|------0--------0-|-------0-------0-|-------0-------0-| |---0-------0-----|---0-------0-----|---0-------0-----|---0--------0----| |-----4-------4---|-----4-------4---|-----4-------4---|-----4-----------| |---------6-------|---------6-------|---------6-------|----------6------| |-6---------------|-6---------------|-6---------------|-6------------6--| |-----------------|-----------------|-----------------|-----------------| brush back your hair and let me get to know your |-------0-------0-|------0--------0-|-------0-------0-|-------0-------0-| |---0-------0-----|---0-------0-----|---0-------0-----|---0-------0-----| |-----2-------2---|-----2-----------|-----0-------0---|-----0-----------| |---------4-------|---------4-------|---------2-------|---------2-------| |-4---------------|-4-----------4---|-2---------------|-2---------------| |-----------------|-----------------|-----------------|-------------0---| face |-----------------|-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------|-----------------| |-------0-------0-|-------0-------0-|-------0-------0-|--------0--------| |---4-------4-----|---4-------2-----|---4-------4-----|---4-------------| |-----4-------4---|-----4-------2---|-----4-------4---|-----4-----------| |-2-------2-------|-2-------0-------|-2-------2-------|-2---------2-----| Repeat pattern for subsequent verses ************************************************************* From: christopher b king bmed stnt Here's the way I've figured out the closing section to the Musical Box by Genesis. This is the bit they segue into from The Lamb Lies Down on Broadway when they play live (Check out Seconds Out to see what I mean) Here are the major patterns for the first bit (the she's a lady part) all below are 2 beats each... F# pattern D#m pattern C# pattern E pattern e----9-7-9--------6-4-6--------4-2-4----------0-------------------------- B---7-7-7-7------4-4-4-4------2-2-2-2--------0-0------------------------- G-------------------------------------------1---1------------------------ D------------------------------------------2-----2----------------------- A--9------------6------------4------------2-------2---------------------- E------------------------------------------------------------------------ Below is 8 beats (2 measures) F# pattern 2 e------------------------------------------------------------------------ B----2---2---2---0----2---2---2------------------------------------------ G-----3---3---3---1----3---3---3----------------------------------------- D------4---4---4---2----4---4---4---------------------------------------- A------------------------------------------------------------------------ E---2---2---2---0----2---2---2---2--------------------------------------- Putting it together: (the chord name is the pattern name here. each / is 1 beat) |F# / F# / |F# / F# / |D#m / D#m / |D#m / D#m /| She's a lady, ...Oh She's a lady, ....Oh C# / C# / |E / E / |F# no. 2 :|| Brush back your hair, and .... Brush back your hair, and ... Now Tony comes in on the organ. |-| Organ: |F# B C# F# |/. B C# F# C#| D#m. A#m D#m. A#m | I've been waiting ... You stand there with your ... |C# G#m B / |F#. E F# E F#| E. F# E F# E | and all this time has passed me .... why don't you touch me, .... ____________ |1. |B. E F# E B E |F# / / / :|| matter now touch me now ... ________________ |2. ||: F# . E F# E B E |B . E F# E B E F# :|| repeat ... now now now now now ending |B / / / |C# / / / |F# / / / | B / / / |C# / / / | F# / / B C# |F# The rapidly alternating part flips between an F# and a C#, and finally ends on F# Sorry there's no solo here, but I haven't quite figured it out yet. Questions, comments, corrections all welcome. If anyone has the rest of this, I'd love to see it enjoy -=Chris
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