From: [email protected] (Tourniquet) This was posted a month or so ago, it sounds right to me, except that instead of putting the major 7 in the bass on the G/F#, I just play it up top. I often get lazy, and just play xx0002 there. -jon The Mary Ellen Carter - Words amp; Music by Stan Rogers (1979) --------------------- DADGAD Tuning, Capo 5th Fret (see notes below) G G/F# C D G She went down last October ... Am C D The skipper he'd been ... G G/F# C G Too close to Three Mile Rock and ... Am D And the Mary Ellen Carter ... G G/F# C D There was just us five .... Am C D We worked like hell to ... G G/F# C G And the groan she gave as she went down ... Am D G That the Mary Ellen .... Break: G/F# / C / D / G / G/F# / C / D Well the owners wrote her off, not a .... But we talked of her all winter, some .... Chorus: Am D G G/F# C Rise again, ... D C G D That her name not be lost ... G G/F# C D G All those who loved her ... Am D G G/F# Will make the Mary ... Break: C / D / G / G/F# / C / D All spring now we've been with her on a ... But we've pathed her rents, stopped .... (Repeat Chorus) For we couldn't leave her there, ... And you, to whom adversity has dealt ... 2nd Chorus: Rise again, rise again... (Repeat 2nd Chorus, with feeling on second 'rise again') Notes: While this sounds OK in standard tuning, it's even better in DADGAD tuning. This requires lowering the 6th string by a full tone, the 2nd string by a full tone, and the first by a full tone. In DADGAD tuning, use the following chords: G: x50200 (These stretches are easier with the capo) G/F#: x40200 C: x20000 or 520000 D: x02002 Am: 222xxx
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